Inspired simultaneously and erratically by the blog thoughts of both Stanley Lee and Ned Rorem.

Aug 27, 2005

Why is it that technique among white American musicians is generally poor except among white American homosexuals? Is homosexuality a coincidental trait that seems to negate the stereotype of slow/weak fingers? In general, I find, most white American musicians that have excelled in the music world have always been gay. Consider the trend.

Aaron Copland, single most famous American composer of the 20th century - gay.
Henry Cowell, famous for his invention of tone clusters - gay.
Ned Rorem, pulitzer prize winner and American art-song master - gay
Leonard Bernstein, legendary conductor and composer of "West Side Story" - gay.
John Cage, avant-garde innovator who started an American music movement - gay
Virgil Thompson, music critic and composer known for his wit and simplicity - gay
Garrick Ohlsson, world-renowned concert pianist - gay
David del Tredici, famous song writer and avant-garde composer - gay
John Corigliano, a favorite composer amongst performing musicians - gay.
Michael Tilson Thomas, music director of the San Francisco Symphony - gay.

...and the list goes on and on. Those are just the ones off the top of my head. A-list crowd, I know.

The trend doesn't appear to be changing either - consider your musician peers that you know today (the extremely talented ones) who are white Americans. Chances are he is either gay, or stuck deep in that closet.

No comments:

Blog Archive

Followers